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As I've said, the stunts really work because the stunts interact with the environment (the sets), and the production designers were able to make sets that knew how to be of proper service to the action. The production design and the sound design also contribute a lot to the feel of the film.
Sure, some wire-work felt floaty, but if I can forgive that in a wuxia, why can't I do that here? It maximizes its use of the environment where the characters fight and it's thrilling. The stunts also use the set and props in really smart ways. You can feel the punches, you can feel the kicks, the smackdowns, the bone cracks, the hits of Kenshin's inverted sword, etcete-friggin-ra. You can tell what's happening, you can tell who's hurt, you can tell who used what kind of strike against who, you see everything, it's nit interrupted by that messy Hollywood handheld thing, and it's f*cking thrilling to see.Īnd since I mentioned action, I also need time to praise the stuntmen, the actors who did their own stunts, and the fight choreographers. It's also very good at capturing the action and the whole spectacle of the movie. It's use of colors are not only gorgeous, but is also quite fantastic at reflecting every scene's mood, a function of cinematography often forgotten by large blockbusters. Let's start with the things I liked and loved.įirst, there's the beautiful-looking widescreen cinematography.
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Catch it only in SM Cinemas, as this is being locally shown exclusively there.Underwritten characters & uneven pacing mar an almost-great action film "Rurouni Kenshin: The Final", the fourth movie in the live-action "Rurouni Kenshin" franchise, is pretty much an uneven mix of great stuff and not-really-that-good stuff. This is highly recommended for fans of historical fiction and Japanese culture.
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As someone who had no prior knowledge about Samurai X, I was completely taken by this very good-looking film, enough that I may even seek out the animated TV series.
So did the cute Emi Takei (as the feisty Kaoru), Munetaka Aoki (as the rash and brash street fighter Sanosuke)or even Yosuke Eguchi, the samurai turned police chief Hajime Saito. Afterwards we see that he really does look like that in the anime series. It is sort of odd looking that with lead actor Takeru Sato, a highly skilled sword fighter looks so androgynous. I did not know how the anime drawings of each character before I watched, so I could not comment on that.
The cinematography, color palette and visual effects were impeccably executed. Either with sword, bare hands or firearms, the fights were choreographed with excitement. However you will not feel the time at all as you get enthralled by the fantastic look of the movie and its spectacular fighting scenes. With all of these stories and more that the movie tries to tell, the running time is about two hours. On top of all this, there is a mad killer on the loose with mad sword skills calling himself the Battosai, a title bestowed on Kenshin in his murderous past which he would rather disown. They then get entangled in the affairs of a notorious ruthless drug dealer Kanryu Tanaka, when his drug chemist Megumi escapes and seeks shelter in Kaoru's school. In this story, Kenshin meets and helps a young lady named Kaoru, whose fencing school was vandalized. After a particular assignment plants in him a massive guilt-trip, he decided to "disappear" and become a wanderer, using his fighting skills to defend the helpless WITHOUT KILLING. Himura Kenshin is an assassin of the highest skill during that transition between the Imperial/Samurai Age and the New Age adapting Western practices. This live action movie had come with very high recommendations or else I may have just given this a pass. I have heard of "Samurai X" but I have not really read the manga or seen any of anime about this character named Himura Kenshin.